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But don’t you think he came of rather passive? I suspect that is because I saw him as a workaholic and loving husband in the movie but I didn’t see his transformation or enough of it. What is your intention regarding character arc of Kishore’s character? I think that the idea is to portray his transformation from a workaholic to a loving husband with respect to Radhika’s character and loving husband to a work loving scientist who share the same passion with respect to Kalki’s character ?. While writing the screenplay did you base Kalki’s characterisation on Kalpana(Jayalalitha) character in Iruvar? I am asking this since they both share similar character traits like trying to win the heart of the protagonist who is still haunted by the memories of their demised look-alike spouse. Did you ask him what is the inspiration for the plot line? Is he inspired by Vertigo/Iruvar? I am sure you would have asked him that. You mentioned that the story is by director Dhilip. Like, I have few doubts/criticisms relating to the movie too…. Did the script end at the same point? Also was the time machine with the emanating hazy spotlight, just this entity behind closed doors? As in, was it written this way? Pls to tell, coz I loved the idea on screen. I would’ve however liked to know what happened to the present day Kishore, as I was emotionally invested (most) in him. The line “I just want to be with you Kishore” found a superb payoff when she just ruffled his hair and atleast this way, she doesn’t have to compete with the memories he has of Radhika. I had no confusion as far as Kalki/Radhika were concerned and really liked the way the final shot mimic’d an earlier photo frame of the wedding. I wish the same energy was carried forth throughout but looking back, I can see why that wasn’t the case.Īnd is that a Feynman hat tip in there? ? (I guess) Is the Mani Ratnam vibe when Kishore pours the coffee back intentional? Sollunga saar, sollunga. It might remind one of the Narumugaye section between Anandhan/his wife but that also comes from knowing you. Their personalities, contrasts, chemistry, the clutter everything really came together there.
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My favorite bits were all in that morning scene between Kishore/Radhika as she twirled in a loosely draped saree, script in hand. Lots of interesting background props in every setting, except the on-the-nose “Comeback stories” book. Just saw it so I’m still processing a lot of the production design work here, which for me worked most consistently through the piece.